Bronwyn Rennex Small Fires

Rennex_bottle 2

Bottle 1, 2004

Rennex_bottle1

Bottle 2, 2004

REnnex_headless

Headless, 2004

Rennex_Legs up

Legs Up, 2004

Rennex_midnight

Midnight, 2004

Rennex_no no no

No, no, no, 2004

Rennex_pin

Safety (Pin), 2004

Rennex_sorry

Sorry, 2004

Rennex_swallow

Swallow, 2004

Rennex_thanks for nothing

Thanks for Nothing, 2004

 

In small fires, I use one of the oldest photographic techniques, the cyanotype, to give voice to contemporary concerns. As in previous bodies of works, I‘ve taken ordinary elements and transformed them into extraordinary suggestions. I’ve taken the literal shadow, captured in the cyanotype process, and turned it into a figurative shadow – a suggestion of the unconscious and unspoken.

Difficulties and confusions are made explicit. Gentle tendrils of grapevine speak out “thanks for nothing” or “no no no”. The words are plaintive, confusing and fallible. In Headless, 2004 a headless torso holds a head at arms length.

There is a tension in the works, as the title of the series suggests, small fires can become big fires or they can go out. They are small and intense – dangerous yet fragile.

 

All images © courtesy of Bronwyn Rennex

www.stillsgallery.com.au