Amc2 Journal N°9 Amore e Piombo: The Photography of Extremes in 1970s Italy

26072_48

Police escort Pietro Valpreda to court, charged with the Piazza Fontana bombing in Rome, 1972

26072_91

Policemen guard the accused’s room during Piazza Fontana trial, Catanzaro, 1974

26072_92

A police bodyguard lies dead after Red Brigades ambush and kidnap Aldo Moro, via Fani, Rome, 16 March 1978

26072_200

Pino Pelosi, who confessed to killing Pier Paolo Pasolini, Rome, 1975

26072_302

Aldo Moro’s bodyguards are shot dead in Red Brigades ambush, 16 March 1978

26072_329

Specialist anti-riot police unit Celere, Rome, 1970s

26072_343

Car explodes on via delle Cave, Rome, 1970s

1111

Via Veneto Rome, 1968

26072_588

Specialist anti-riot police unit Celere at an unidentified demonstration, Rome, 1970s,

26072_616

Carabinieri draw their guns on the street, 1970s

 

Published to coincide with the Archive of Modern Conflict exhibition ‘Amore e Piombo: The Photography of Extremes in 1970s Italy’, curated by Roger Hargreaves and Federica Chiocchetti for the 2014 Brighton Photo Biennial (which run from 4 October to 2 November 2014), Issue 9 of Amc2 journal looks at the tumultuous era of Italy’s Years of Lead – a period when bombings, kidnappings and assassinations became the standard currency of Italian politics. The catalyst for this era of terror was the growing strength of the Italian Communist Party as an electoral force – a development opposed within Italy by the extremes on both left and right, and externally by the USA and the Soviet Union. At the dark heart of things were the murky manoeuvrings of clandestine groups within NATO, the CIA, the Italian secret services and the P2 Masonic Lodge. Outrages perpetrated by one political group were presented as the acts of another, giving rise to the Italian concept of dietrologia – the idea that surface explanations are rarely the real ones. The press photographs collated for ‘Amore e Piombo’ from the archives of Rome-based agency Team Editorial Services reflect the manifold aspects of the period, as the photographers oscillate between pursuing film stars at play and capturing the violence on the streets against a backdrop of industrial unrest and a sexual revolution embracing free love, divorce, abortion, feminism and gay rights. Far from offering answers or uncovering definitive truths, the photographs reveal only tantalising fragments of evidence about this most turbulent and tangled decade, while the true puppet-masters and string-pullers remain just out of frame. The book won the 2015 Kraszna Krausz Best Photography Book Award and was shortlisted for the 2015 Photo España Book Award (and exhibited as part of The Best Photography Books of the Year at Biblioteca Nacional in Madrid) and Les Rencontres d’Arles Historical Book Award 2015.

Edited and curated by Roger Hargreaves and Federica Chiocchetti

 

All images © Team Editorial Services/Alinari

www.amcbooks.com